It's always tough knowing what to read after you've had your mind blown by a previous book. You know nothing is going to be as good and the sense of loss can be hard to over come. What I read after The Dark Tower series had a tough act to follow but I will do my best to be honest.
This book was a half-way decent read. The writing was reasonably well crafted which made the flaws in the novel that little bit easier to swallow. Cartwright used some interesting metaphors throughout the novel, some of which I may remember for my own writing. The world building was a reasonably well done and there were only a few minor errors that could be overlooked.
Fitting the characters into this world is where the trouble begins. Cartwright has written a system of mental communication into her world called 'icom', which is installed into those people who can afford it. Which seems to be everyone except those living on the fringes of society, so when the hero is thrust into a boar pit and escapes slavery by those fringe dwellers, they manage to call the police via icom, which they can't afford, it seemed a bit jarring.
The pacing of the novel is a little off as well and there is no real conclusion at the end either. During the first half, our hero escapes doom on his home world and is pursued by a sadistic space captain. This is an interesting arc with a random police officer thrown in for good measure. I was looking forward to learning more about this after the hero is marooned away from home however the author abandons this arc until the last few pages in which we learn nothing new. She also spends half of an entire chapter discussing the pros and cons of sex in a temple lecture. It slowed the pace right down and was frankly rather dull.
The other concept I found difficult to grasp was on referred to as Dark Sankomin. This is explained as a darkness that affects all living beings, if a mind dwells on past events it becomes bogged down and the beings go mad and die. It seemed to me that everything has negative emotions at some stages in existence and although this affects people in different ways (I don't want to make light of mental illness here) it isn't severe for everyone. I found it hard to see the Dark Sankomin as a threat and it made a large part of the book hard to comprehend. Maybe I'm too positive to see this darkness as something destructive.
Most of the characters are believable, except the female lead, who was as flat and predictable as mud and you do care what happens to them. My only other issue is the genre of the book itself, it's listed as: 'Adventure Sci-fi/Heroic Fantasy Romance.' It is all of these things granted, but it is none of them well. The romance isn't well written enough to satisfy romance fans, the fantasy isn't good enough for fantasy fans. It just tried to fill too many boots at once and found that none of them fit very well.
So to finish off, I did enjoy this book - even though Roland wasn't in it - but I doubt I will be picking up the sequel any time soon.
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