This book wasn't great, in fact, I don't even think it was that good. I couldn't finish it due to a number of reasons although I did try my best to do so. It has it's OK moments but those are far outweighed by the books downfalls.
I'll start with the positive; most of the characters are well rounded individuals and a lot of thought has gone into their development. The protagonist is a carbon copy of your generic hero and as a result is dull, uninteresting and predictable. The support cast is far more interesting, there's an alchemist character, Lucky, who has all kinds of different tricks that he uses to aid the group. He also has a big interest in food and often hands it out to people while conducting his affairs, this little detail is what makes him a better character than all the others in the novel put together.
The relationships between the characters is shown very well in points though the novel, I won't go into it much but to illustrate my point there's this. After the hero thinks his father has been killed, someone shouts for 'Lord Valentine', at this point, our hero starts looking around, assuming the call was for his father, not him. It was a nice touch.
Some of the writing in the novel is very good, in fact, aside from the odd cliche here and there, its well written. What annoyed me so much I had to put the book down, was the constant repetition of the plot. I'm savvy enough to know what's happening the first time, one recap is OK, every time we meet a new character is just too much, it was like having it rammed down my throat and not to mention a little patronising. It got to a point where these little reminders would happen just before a fight. It destroyed the tension the author had created in previous paragraphs and interrupted the pacing.
Then there's the description. This book has more than it's fair share of description, of everything, all the time. It got boring to read. I don't really care what the guy fighting the hero looks like, where he came from or what he had for lunch. I care about how he gets killed. It's the same for every building they come across. Yes, I admit, its well written and some of its useful, but it could use thinning out to help the flow of the novel and to keep the reader interested.
You'd think with all that description that everything would be covered in the book right? Not so, there was an episode in the novel where generic hero has to rescue generic princess from generic bad guy. He does so after gaining a huge chunk of skills for free (he reads a skillbook... seriously?) and mullering the henchmen, great. What is omitted is how the baddie escapes. You just get a short sentence saying he got away. How? With all this descriptive power, you'd think Wells would be able to come up with something better than that. Most disappointing!
All in all, I wouldn't recommend reading this book in its current state. It needs another read through and the issues with it fixing before I even consider looking at the sequel.
Showing posts with label outrage. Show all posts
Showing posts with label outrage. Show all posts
Wednesday, 15 August 2012
Sunday, 22 July 2012
Wolf Dawn - Susan Cartwright
It's always tough knowing what to read after you've had your mind blown by a previous book. You know nothing is going to be as good and the sense of loss can be hard to over come. What I read after The Dark Tower series had a tough act to follow but I will do my best to be honest.
This book was a half-way decent read. The writing was reasonably well crafted which made the flaws in the novel that little bit easier to swallow. Cartwright used some interesting metaphors throughout the novel, some of which I may remember for my own writing. The world building was a reasonably well done and there were only a few minor errors that could be overlooked.
Fitting the characters into this world is where the trouble begins. Cartwright has written a system of mental communication into her world called 'icom', which is installed into those people who can afford it. Which seems to be everyone except those living on the fringes of society, so when the hero is thrust into a boar pit and escapes slavery by those fringe dwellers, they manage to call the police via icom, which they can't afford, it seemed a bit jarring.
The pacing of the novel is a little off as well and there is no real conclusion at the end either. During the first half, our hero escapes doom on his home world and is pursued by a sadistic space captain. This is an interesting arc with a random police officer thrown in for good measure. I was looking forward to learning more about this after the hero is marooned away from home however the author abandons this arc until the last few pages in which we learn nothing new. She also spends half of an entire chapter discussing the pros and cons of sex in a temple lecture. It slowed the pace right down and was frankly rather dull.
The other concept I found difficult to grasp was on referred to as Dark Sankomin. This is explained as a darkness that affects all living beings, if a mind dwells on past events it becomes bogged down and the beings go mad and die. It seemed to me that everything has negative emotions at some stages in existence and although this affects people in different ways (I don't want to make light of mental illness here) it isn't severe for everyone. I found it hard to see the Dark Sankomin as a threat and it made a large part of the book hard to comprehend. Maybe I'm too positive to see this darkness as something destructive.
Most of the characters are believable, except the female lead, who was as flat and predictable as mud and you do care what happens to them. My only other issue is the genre of the book itself, it's listed as: 'Adventure Sci-fi/Heroic Fantasy Romance.' It is all of these things granted, but it is none of them well. The romance isn't well written enough to satisfy romance fans, the fantasy isn't good enough for fantasy fans. It just tried to fill too many boots at once and found that none of them fit very well.
So to finish off, I did enjoy this book - even though Roland wasn't in it - but I doubt I will be picking up the sequel any time soon.
This book was a half-way decent read. The writing was reasonably well crafted which made the flaws in the novel that little bit easier to swallow. Cartwright used some interesting metaphors throughout the novel, some of which I may remember for my own writing. The world building was a reasonably well done and there were only a few minor errors that could be overlooked.
Fitting the characters into this world is where the trouble begins. Cartwright has written a system of mental communication into her world called 'icom', which is installed into those people who can afford it. Which seems to be everyone except those living on the fringes of society, so when the hero is thrust into a boar pit and escapes slavery by those fringe dwellers, they manage to call the police via icom, which they can't afford, it seemed a bit jarring.
The pacing of the novel is a little off as well and there is no real conclusion at the end either. During the first half, our hero escapes doom on his home world and is pursued by a sadistic space captain. This is an interesting arc with a random police officer thrown in for good measure. I was looking forward to learning more about this after the hero is marooned away from home however the author abandons this arc until the last few pages in which we learn nothing new. She also spends half of an entire chapter discussing the pros and cons of sex in a temple lecture. It slowed the pace right down and was frankly rather dull.
The other concept I found difficult to grasp was on referred to as Dark Sankomin. This is explained as a darkness that affects all living beings, if a mind dwells on past events it becomes bogged down and the beings go mad and die. It seemed to me that everything has negative emotions at some stages in existence and although this affects people in different ways (I don't want to make light of mental illness here) it isn't severe for everyone. I found it hard to see the Dark Sankomin as a threat and it made a large part of the book hard to comprehend. Maybe I'm too positive to see this darkness as something destructive.
Most of the characters are believable, except the female lead, who was as flat and predictable as mud and you do care what happens to them. My only other issue is the genre of the book itself, it's listed as: 'Adventure Sci-fi/Heroic Fantasy Romance.' It is all of these things granted, but it is none of them well. The romance isn't well written enough to satisfy romance fans, the fantasy isn't good enough for fantasy fans. It just tried to fill too many boots at once and found that none of them fit very well.
So to finish off, I did enjoy this book - even though Roland wasn't in it - but I doubt I will be picking up the sequel any time soon.
Sunday, 15 April 2012
Approaching the Dark Age - Resonace: Matthew Chivers
I didn't expect to be posting this so quickly, but at 36% I had to call it quits. This novel was so appallingly written I just couldn't finish it. I'm not even sure where to start but I shall give it a go.
The technical aspects of writing have been ignored by the author of this book. I can forgive over use of adverbs and even pardon the contradiction of adjectives but the double negative sentence, 'It could not take no more' was a bit of a slap in the face. The children in my primary class (age 7-9) know not to use language like this, how a grown man doesn't I cannot fathom. Chivers also tends to overwrite things, using four words where one would suffice. This makes some scenes rather dull.
I tried to look passed all the technicalities though and focused on the characters instead. I found them flat, one dimensional and predictable. The priestess did a wonderful job of explaining how magic worked in their world using good scientific terms. This was immediately contradicted by labelling it 'magic' and shrugging off the previous explanation. The Tribal character is a moody, rude adolescent boy who has forgotten half his past. Problem with him is he's so rude, I didn't care what happened to him. These two pair up with a gang of Packers, consisting of about seventeen people, only four of which are important enough to have names. Might as well just stick them in red shirts and shoot them now.
The pacing of the novel seems to be one fight scene after another with a bit of travelling between locations. It became predictable after the second fight. The writing of these scenes was OK but weakened by the author putting the shouting in a bold type face. I can see they're yelling, no need to patronise me in this manner.
There are loads of other things wrong with this novel; irrelevant quotes at the start of chapters; wooden dialogue; contradictory attitudes. So many in fact that I could be here all day and I'll get comments like TLDR. It's frustrating because with a bit of refining and three more rounds of editing, it would make a decent story. Needless to say, I won't be reading the sequel!
The technical aspects of writing have been ignored by the author of this book. I can forgive over use of adverbs and even pardon the contradiction of adjectives but the double negative sentence, 'It could not take no more' was a bit of a slap in the face. The children in my primary class (age 7-9) know not to use language like this, how a grown man doesn't I cannot fathom. Chivers also tends to overwrite things, using four words where one would suffice. This makes some scenes rather dull.
I tried to look passed all the technicalities though and focused on the characters instead. I found them flat, one dimensional and predictable. The priestess did a wonderful job of explaining how magic worked in their world using good scientific terms. This was immediately contradicted by labelling it 'magic' and shrugging off the previous explanation. The Tribal character is a moody, rude adolescent boy who has forgotten half his past. Problem with him is he's so rude, I didn't care what happened to him. These two pair up with a gang of Packers, consisting of about seventeen people, only four of which are important enough to have names. Might as well just stick them in red shirts and shoot them now.
The pacing of the novel seems to be one fight scene after another with a bit of travelling between locations. It became predictable after the second fight. The writing of these scenes was OK but weakened by the author putting the shouting in a bold type face. I can see they're yelling, no need to patronise me in this manner.
There are loads of other things wrong with this novel; irrelevant quotes at the start of chapters; wooden dialogue; contradictory attitudes. So many in fact that I could be here all day and I'll get comments like TLDR. It's frustrating because with a bit of refining and three more rounds of editing, it would make a decent story. Needless to say, I won't be reading the sequel!
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Sunday, 5 February 2012
Avengers Angel: Lost Angels: Book One, Heather Killough-Walden
I’d like to say I enjoyed this book, but I’d be stretching
the truth a bit.
The first major disappointment for me was discovering that
this was actually a vampire novel in disguise. Don’t get me wrong, I enjoy the
odd novel about vampires but I like to know what I’m getting myself into. When
I chose this book it was because I thought it was a supernatural novel about
angels, not vampires. Vampires are alluded to from the start of this novel and
one of the four angels is in fact a vampire, another is a movie star playing a
vampire and ends up becoming one as well. I understand why Azrael, Angel of
Death, would fall to earth as a vampire but it seemed a bit contrived making
Uriel, who’s name mean Light of God; he is associated with the sun, a vampire.
It came across as ridiculous. To then have the Angel of the Christian God
compare the taste of something to ambrosia, nectar of the Roman Gods, was just
uncomfortable.
Don’t get me wrong, this book had some very good ideas
running through it, love, loyalty and brotherhood, even the Fallen Angel ended
up helping the Archangels in the end but it was so poorly executed it was just
difficult to enjoy. The language was heavy handed, some of the metaphors so
glaringly obvious I felt like I was being smacked in the face with them. Not
something I enjoy, figuratively or literally if I’m honest. Take Gabriel for
instance, Killough-Walden has given him a Scottish accent, brilliant! However
writing in the accent itself should be left to Irving Welsh, it makes it tricky
to read and is jolting for the reader.
The use of supernatural abilities is referred to throughout
the novel, as you would expect from a book in this genre, however to refer to
them as ‘Vampire Powers’ or just ‘Powers’ didn’t sit well with me. It came
across as a cop-out, our language is diverse and beautiful, to use this basic
term seemed weak to me. In the end, the powers were pretty much useless so what
was the point in having them in the first place?
That said, there are some positive points to this novel, the
part where the two protagonists are spending time together, particularly the
bit where they are flying is written well and enjoyable to read.
All in all though, I don’t think I will be reading the
sequel!
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